Recollection Services Incorporated

Waltz into the next bathroom stall and look up the intro title sequence of Gaspar Noe’s 2009 film, Enter the Void. Kick around in the chamber and ask yourself, do you feel old? Noe’s film is allegory of Oedipal electra-complexes, just Aeschalean cycles, that are the inversion of natural order.

If our aim is to create a genealogy of terminal-flow for technicians effective software is contingent on entailment of the long-shot: our fork is whether to compile an accessible database or to send and distribute archetypes directly. Software-in-the-world, as a void before creation questions this feature, whether the inversion of Deus Ex Machina, is liturgical precedence for peering.