
K walks into a usurer’s office.
Speaking to no one, the pawnbroker stares.
“This watch is WWI ersatz, Waltham. I decorate the shop …”
He places it in the centre-right compartment of the bookshelf, to his discredit.
“The next one I bring, it’s Finnish trench.”
The thesis is that the placement of capitol cycles in alternative historical periodisation concerning machines. In the section on European Nihilism, Evola writes of being-towards-the world. That a principle of “reality: there is no ‘imperative’ in this stage that won’t imply the presumed, axiomatic” resistance in Kantian ethics – the ‘thou shalt.’” A touchstone for the Wagner cycle is a symbol, an eternal flame in the fiamma. There is, for being created and creation, this shift in morality to institutions.
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